1.33x Anamorphic Lens Adapter
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Product Features
Features & Compatibility
- 1.33X Magnification (convert 16:9 to 2.35:1)
- Front focus adjustment via built-in rangefinder lens
- Compatible with many existing modern and vintage prime lenses
- Included adapters fit 67mm, 72mm, 77mm, and 82mm filter threads
- Easily adjustable orientation
- S35+ Format (full-frame on some compact lenses)
- All-metal housing
- 1.33x Anamorphic Adapter
- Weatherproof EVA carrying case
- 72mm, 77mm, & 82mm adapter rings.
- Front Lens Cap
- Rear Lens Cap
We've made this adapter as compatible with as many lenses as possible – vintage included. Our Included adapters fit 67mm, 72mm, 77mm, and 82mm filter threads.
Sony, Fuji, Blackmagic, Leica, Nikon, Canon and more will be compatible. As long as you are using a camera with lenses that have a standard filter thread, this adapter will work like a charm.
Focal Length Compatibility
Because of how the anamorphic lens manipulates the image, it also affects the focal length. Therefore, it’s good to note there’s a minimum focal length we recommend for getting the best results on Full Frame, Super 35, and Micro Four-Thirds.
Specs
- Squeeze Factor: 1.33x
- Design: 6 Element
- Rear Thread: 67mm (Includes 82mm, 77mm, and 72mm adapters)
- Front Filter Thread: 82mm
- Focus: Front Single Focus
- Close Focus: 0.7m
- Focus Rotation: 180 deg
- Rear Prime (S35): 35mm-100mm+
- Rear Prime (Full Frame): 50mm-100mm+
- Prime Lens Focus: Infinity
- Rear Aperture: 44mm
- Coatings: Gold Flare
- Rear Mount: M67 x 0.75 thread
- Product Length: 77.6mm - 92mm (Without lens cap)
- Weight: 880g
- Focus Ring Diameter: 89mm
Product Details
Introducing Moment Anamorphic Adapter
We’re introducing our first (of many) big camera lenses. This new Moment 1.33x Anamorphic Adapter changes your current lenses, whether vintage or modern, into a classic anamorphic lens. The quality is unmatched, it’s easier to use than anything else on the market, and it’s compatible with more lenses. This is the best lens we’ve ever made.
Take your footage from beginner to pro in less than 30 seconds.
The Moment 1.33x Anamorphic Lens Adapter is the easiest way to transform your footage into high-quality cinematic frames at an affordable price.
A great review with sample footage by Jason Morris (@JasonMorrisphotocinema)
Why Shoot Moment Anamorphic?
Cinematic Look & Feel
Anamorphic lenses allow for a wider aspect ratio, giving your images and videos a more cinematic look right out of the camera. The Moment Anamorphic Adapter is a 1.33x squeeze that transforms 16:9 video into a glorious widescreen 2:35:1 frame.
Affordability & Adaptability
Anamorphic lenses in Hollywood can cost upwards of $60,000 and can be cumbersome to use. Affordable alternatives have come out recently but require purchasing multiple anamorphic prime lenses. Our anamorphic adapter is affordable, easy to use, and adapts your existing lenses for endless possibilities.
Anamorphic Flares
Get those iconic streaks of light you’ve seen countless times in your favourite movies and TV shows.
Design & Build Quality
Our goal was to bring affordability and cinema-grade quality into one product; while making the adapter as simple as shooting on a traditional lens.
Easy to Install & Use
Historically, anamorphic adapters haven’t always been accessible or easy to use. Ours quickly screw on the front of your existing photo, cinema, or vintage lenses, and with the quick press of a button to orient the lens, you’ll be shooting in 30 seconds or less.
Front-Filter Threading
Traditionally, many anamorphic lenses don’t have front threading and require using matte boxes for filters like Variable ND Filters. We have a 82mm filter thread with ours, and our Moment Variable ND Filter pairs perfectly. Be sure to add one to your order.
Say Goodbye to External Monitors
Filmmakers can use our 1.33x Anamorphic Lens Adapter with cameras like the Sony FX3 and Blackmagic, which allows them to view de-squeezed anamorphic footage in-camera. This feature eliminates needing an external monitor, making it ideal for fast-paced shoots.
